The Last Days of Louis XVI and Marie Antoinette.

1792. Louis XVI, his wife Marie Antoinette, and their children have been arrested and imprisoned in the Tour de Temple, a sinister chateau in Paris, awaiting their trial. Far from the splendour of Versailles, they are isolated and vulnerable for the first time in their lives. A fascinating, never-before told period story from which our modern world was born. Freely inspired by the notebooks of Cléry, the King's valet who remained with him until his death.

Gianluca Jodice’s The Flood brings the story of Louis XVI and Marie Antoinette to the big screen in a way quite unlike anything we have seen before. Instead of lavish parties, royal decadence and the splendour of Versailles, we are given a glimpse into a shadowy world where these deposed monarchs are stripped of their power and stature as they await their now famous fate. French stars Guillame Canet (La Belle Époque) and Mélanie Laurent (Inglourious Basterds) give blistering performances as the doomed royals, who, isolated and vulnerable for the first time in their privileged lives, have been arrested and imprisoned in the Tour de Temple, a sinister chateau in Paris. Laurent, chipping away at the infamous queen’s veneer of propriety, reveals a quiet vulnerability and growing horror as to what lies ahead.The Last Days of Louis XVI and Marie Antoinette.

1792. Louis XVI, his wife Marie Antoinette, and their children have been arrested and imprisoned in the Tour de Temple, a sinister chateau in Paris, awaiting their trial. Far from the splendour of Versailles, they are isolated and vulnerable for the first time in their lives. A fascinating, never-before told period story from which our modern world was born. Freely inspired by the notebooks of Cléry, the King's valet who remained with him until his death.

Gianluca Jodice’s The Flood brings the story of Louis XVI and Marie Antoinette to the big screen in a way quite unlike anything we have seen before. Instead of lavish parties, royal decadence and the splendour of Versailles, we are given a glimpse into a shadowy world where these deposed monarchs are stripped of their power and stature as they await their now famous fate. French stars Guillame Canet (La Belle Époque) and Mélanie Laurent (Inglourious Basterds) give blistering performances as the doomed royals, who, isolated and vulnerable for the first time in their privileged lives, have been arrested and imprisoned in the Tour de Temple, a sinister chateau in Paris. Laurent, chipping away at the infamous queen’s veneer of propriety, reveals a quiet vulnerability and growing horror as to what lies ahead.The Last Days of Louis XVI and Marie Antoinette.

1792. Louis XVI, his wife Marie Antoinette, and their children have been arrested and imprisoned in the Tour de Temple, a sinister chateau in Paris, awaiting their trial. Far from the splendour of Versailles, they are isolated and vulnerable for the first time in their lives. A fascinating, never-before told period story from which our modern world was born. Freely inspired by the notebooks of Cléry, the King's valet who remained with him until his death.

Gianluca Jodice’s The Flood brings the story of Louis XVI and Marie Antoinette to the big screen in a way quite unlike anything we have seen before. Instead of lavish parties, royal decadence and the splendour of Versailles, we are given a glimpse into a shadowy world where these deposed monarchs are stripped of their power and stature as they await their now famous fate. French stars Guillame Canet (La Belle Époque) and Mélanie Laurent (Inglourious Basterds) give blistering performances as the doomed royals, who, isolated and vulnerable for the first time in their privileged lives, have been arrested and imprisoned in the Tour de Temple, a sinister chateau in Paris. Laurent, chipping away at the infamous queen’s veneer of propriety, reveals a quiet vulnerability and growing horror as to what lies ahead.The Last Days of Louis XVI and Marie Antoinette.

1792. Louis XVI, his wife Marie Antoinette, and their children have been arrested and imprisoned in the Tour de Temple, a sinister chateau in Paris, awaiting their trial. Far from the splendour of Versailles, they are isolated and vulnerable for the first time in their lives. A fascinating, never-before told period story from which our modern world was born. Freely inspired by the notebooks of Cléry, the King's valet who remained with him until his death.

Gianluca Jodice’s The Flood brings the story of Louis XVI and Marie Antoinette to the big screen in a way quite unlike anything we have seen before. Instead of lavish parties, royal decadence and the splendour of Versailles, we are given a glimpse into a shadowy world where these deposed monarchs are stripped of their power and stature as they await their now famous fate. French stars Guillame Canet (La Belle Époque) and Mélanie Laurent (Inglourious Basterds) give blistering performances as the doomed royals, who, isolated and vulnerable for the first time in their privileged lives, have been arrested and imprisoned in the Tour de Temple, a sinister chateau in Paris. Laurent, chipping away at the infamous queen’s veneer of propriety, reveals a quiet vulnerability and growing horror as to what lies ahead.The Last Days of Louis XVI and Marie Antoinette.

1792. Louis XVI, his wife Marie Antoinette, and their children have been arrested and imprisoned in the Tour de Temple, a sinister chateau in Paris, awaiting their trial. Far from the splendour of Versailles, they are isolated and vulnerable for the first time in their lives. A fascinating, never-before told period story from which our modern world was born. Freely inspired by the notebooks of Cléry, the King's valet who remained with him until his death.

Gianluca Jodice’s The Flood brings the story of Louis XVI and Marie Antoinette to the big screen in a way quite unlike anything we have seen before. Instead of lavish parties, royal decadence and the splendour of Versailles, we are given a glimpse into a shadowy world where these deposed monarchs are stripped of their power and stature as they await their now famous fate. French stars Guillame Canet (La Belle Époque) and Mélanie Laurent (Inglourious Basterds) give blistering performances as the doomed royals, who, isolated and vulnerable for the first time in their privileged lives, have been arrested and imprisoned in the Tour de Temple, a sinister chateau in Paris. Laurent, chipping away at the infamous queen’s veneer of propriety, reveals a quiet vulnerability and growing horror as to what lies ahead.The Last Days of Louis XVI and Marie Antoinette.

1792. Louis XVI, his wife Marie Antoinette, and their children have been arrested and imprisoned in the Tour de Temple, a sinister chateau in Paris, awaiting their trial. Far from the splendour of Versailles, they are isolated and vulnerable for the first time in their lives. A fascinating, never-before told period story from which our modern world was born. Freely inspired by the notebooks of Cléry, the King's valet who remained with him until his death.

Gianluca Jodice’s The Flood brings the story of Louis XVI and Marie Antoinette to the big screen in a way quite unlike anything we have seen before. Instead of lavish parties, royal decadence and the splendour of Versailles, we are given a glimpse into a shadowy world where these deposed monarchs are stripped of their power and stature as they await their now famous fate. French stars Guillame Canet (La Belle Époque) and Mélanie Laurent (Inglourious Basterds) give blistering performances as the doomed royals, who, isolated and vulnerable for the first time in their privileged lives, have been arrested and imprisoned in the Tour de Temple, a sinister chateau in Paris. Laurent, chipping away at the infamous queen’s veneer of propriety, reveals a quiet vulnerability and growing horror as to what lies ahead.

The weapon and terror of modern-day extremists are the media. When supporters of Donald Trump stormed the Capitol in January 2021, they did not forget to livestream their rampage. Director Javier Horcajada used their footage and social media posts to create a collage of voices and texts that is as frenetic as the boundless scrolling in which facts and fabrications merge into a single stream. This symphony of disinformation is interwoven with excerpts from propaganda films from the era of Dwight D. Eisenhower, in which the same concepts invoked by the attackers—justice, law, democracy—are explained. This alarming message about how easy it is in the online age to change the meaning of words and control the crowd is the second part of the director’s trilogy about contemporary America.The weapon and terror of modern-day extremists are the media. When supporters of Donald Trump stormed the Capitol in January 2021, they did not forget to livestream their rampage. Director Javier Horcajada used their footage and social media posts to create a collage of voices and texts that is as frenetic as the boundless scrolling in which facts and fabrications merge into a single stream. This symphony of disinformation is interwoven with excerpts from propaganda films from the era of Dwight D. Eisenhower, in which the same concepts invoked by the attackers—justice, law, democracy—are explained. This alarming message about how easy it is in the online age to change the meaning of words and control the crowd is the second part of the director’s trilogy about contemporary America.The weapon and terror of modern-day extremists are the media. When supporters of Donald Trump stormed the Capitol in January 2021, they did not forget to livestream their rampage. Director Javier Horcajada used their footage and social media posts to create a collage of voices and texts that is as frenetic as the boundless scrolling in which facts and fabrications merge into a single stream. This symphony of disinformation is interwoven with excerpts from propaganda films from the era of Dwight D. Eisenhower, in which the same concepts invoked by the attackers—justice, law, democracy—are explained. This alarming message about how easy it is in the online age to change the meaning of words and control the crowd is the second part of the director’s trilogy about contemporary America.The weapon and terror of modern-day extremists are the media. When supporters of Donald Trump stormed the Capitol in January 2021, they did not forget to livestream their rampage. Director Javier Horcajada used their footage and social media posts to create a collage of voices and texts that is as frenetic as the boundless scrolling in which facts and fabrications merge into a single stream. This symphony of disinformation is interwoven with excerpts from propaganda films from the era of Dwight D. Eisenhower, in which the same concepts invoked by the attackers—justice, law, democracy—are explained. This alarming message about how easy it is in the online age to change the meaning of words and control the crowd is the second part of the director’s trilogy about contemporary America.The weapon and terror of modern-day extremists are the media. When supporters of Donald Trump stormed the Capitol in January 2021, they did not forget to livestream their rampage. Director Javier Horcajada used their footage and social media posts to create a collage of voices and texts that is as frenetic as the boundless scrolling in which facts and fabrications merge into a single stream. This symphony of disinformation is interwoven with excerpts from propaganda films from the era of Dwight D. Eisenhower, in which the same concepts invoked by the attackers—justice, law, democracy—are explained. This alarming message about how easy it is in the online age to change the meaning of words and control the crowd is the second part of the director’s trilogy about contemporary America.

Leni Riefenstahl is considered one of the most controversial figures of the twentieth century. Her films Triumph des Willens (Triumph of the Will) and Olympia epitomise perfectly staged body worship and the celebration of the superior and victorious. At the same time, these images project contempt for the imperfect and weak. Riefenstahl’s aesthetics are more prevalent today than ever—but does the same hold true for their underlying message? The film explores this question using documents from Riefenstahl’s estate, including private films, photos, letters, and recordings. It uncovers fragments of her biography and places them within a broader historical context. How could Riefenstahl rise to become the Reich’s leading filmmaker while persistently denying any close ties to Hitler and Goebbels? In personal documents, she laments her “murdered ideals.” Riefenstahl reflects many post-war Germans who, through letters and recorded telephone calls from her estate, yearn for an authoritative figure to restore order to the “shit-hole state”. They believe that this restoration could bring about a renaissance of her work—a possibility that might come to fruition in a generation or two. What if they are right?

From Academy Award®-nominated and BAFTA-winning director, Raoul Peck (I Am Not Your Negro), Orwell is the definitive feature-length documentary on visionary author George Orwell, with the exclusive cooperation of the Orwell Estate. ‍"Who controls the past controls the future: who controls the present controls the past...," wrote Orwell in his novel, 1984. Today, the "newspeak" of authoritarian rule is alive and well and in unexpected places, from the rise of AI Chatbot to the Russian propaganda machine, from the marketing webs of commercial metaverses to the political banning of books in the Southern United States. Peck's "Orwell" will use George Orwell's life, work and legacy as a maverick iconoclastic writer to jam the signals of the algorithms gone rogue which, in the name of personal freedom, threaten to close our minds to a greater possibility.From Academy Award®-nominated and BAFTA-winning director, Raoul Peck (I Am Not Your Negro), Orwell is the definitive feature-length documentary on visionary author George Orwell, with the exclusive cooperation of the Orwell Estate. ‍"Who controls the past controls the future: who controls the present controls the past...," wrote Orwell in his novel, 1984. Today, the "newspeak" of authoritarian rule is alive and well and in unexpected places, from the rise of AI Chatbot to the Russian propaganda machine, from the marketing webs of commercial metaverses to the political banning of books in the Southern United States. Peck's "Orwell" will use George Orwell's life, work and legacy as a maverick iconoclastic writer to jam the signals of the algorithms gone rogue which, in the name of personal freedom, threaten to close our minds to a greater possibility.

What do we hide in our thoughts?

A romantic comedy that goes beyond appearances, diving into the minds of the two main characters, Piero and Lara, and revealing their most hidden thoughts and the inner battles that we all face.

Our mind is a very crowded place; we are all inhabited by multiple personalities that must coexist. Rational, romantic, instinctive, sometimes even crazy. But who is really in control? FolleMente is the story of a first date, a delightful romantic comedy that takes us inside the minds of the two protagonists to uncover the mysterious mechanisms that drive our actions. Their various personalities will have both a voice and a physical presence—we will see them argue, fight, rejoice, and be moved as they struggle to take control and make the final decision.What do we hide in our thoughts?

A romantic comedy that goes beyond appearances, diving into the minds of the two main characters, Piero and Lara, and revealing their most hidden thoughts and the inner battles that we all face.

Our mind is a very crowded place; we are all inhabited by multiple personalities that must coexist. Rational, romantic, instinctive, sometimes even crazy. But who is really in control? FolleMente is the story of a first date, a delightful romantic comedy that takes us inside the minds of the two protagonists to uncover the mysterious mechanisms that drive our actions. Their various personalities will have both a voice and a physical presence—we will see them argue, fight, rejoice, and be moved as they struggle to take control and make the final decision.

The ageing schoolteacher Winfried Conradi occasionally brightens up his humdrum life by baffling those around him with his zany humour, being particularly fond of wearing funny disguises. Following the death of his only faithful friend, a blind dog, he decides to focus entirely on his estranged daughter Ines, a workaholic pursuing a career in a multinational company who has no time for anything else. In the wake of his failing to cheer her up in Bucharest, Winfried changes his strategy, convinced that he will succeed in attaining his objective through his alter ego. Thus emerges the German ambassador “Toni Erdmann”, a freaky comic figure sporting a ludicrous wig and fake teeth, who begins meddling with Ines’s life at the least suitable moments. Following the drama Everyone Else, a disillusioning study of a relationship between a man and a woman, the German director Maren Ade has come up with a poignant, multilayered tragicomedy about rapprochement between father and daughter, about singles and the stark differences between the generations, pointing out the importance of humour in life.

The ageing schoolteacher Winfried Conradi occasionally brightens up his humdrum life by baffling those around him with his zany humour, being particularly fond of wearing funny disguises. Following the death of his only faithful friend, a blind dog, he decides to focus entirely on his estranged daughter Ines, a workaholic pursuing a career in a multinational company who has no time for anything else. In the wake of his failing to cheer her up in Bucharest, Winfried changes his strategy, convinced that he will succeed in attaining his objective through his alter ego. Thus emerges the German ambassador “Toni Erdmann”, a freaky comic figure sporting a ludicrous wig and fake teeth, who begins meddling with Ines’s life at the least suitable moments. Following the drama Everyone Else, a disillusioning study of a relationship between a man and a woman, the German director Maren Ade has come up with a poignant, multilayered tragicomedy about rapprochement between father and daughter, about singles and the stark differences between the generations, pointing out the importance of humour in life.

The ageing schoolteacher Winfried Conradi occasionally brightens up his humdrum life by baffling those around him with his zany humour, being particularly fond of wearing funny disguises. Following the death of his only faithful friend, a blind dog, he decides to focus entirely on his estranged daughter Ines, a workaholic pursuing a career in a multinational company who has no time for anything else. In the wake of his failing to cheer her up in Bucharest, Winfried changes his strategy, convinced that he will succeed in attaining his objective through his alter ego. Thus emerges the German ambassador “Toni Erdmann”, a freaky comic figure sporting a ludicrous wig and fake teeth, who begins meddling with Ines’s life at the least suitable moments. Following the drama Everyone Else, a disillusioning study of a relationship between a man and a woman, the German director Maren Ade has come up with a poignant, multilayered tragicomedy about rapprochement between father and daughter, about singles and the stark differences between the generations, pointing out the importance of humour in life.

The ageing schoolteacher Winfried Conradi occasionally brightens up his humdrum life by baffling those around him with his zany humour, being particularly fond of wearing funny disguises. Following the death of his only faithful friend, a blind dog, he decides to focus entirely on his estranged daughter Ines, a workaholic pursuing a career in a multinational company who has no time for anything else. In the wake of his failing to cheer her up in Bucharest, Winfried changes his strategy, convinced that he will succeed in attaining his objective through his alter ego. Thus emerges the German ambassador “Toni Erdmann”, a freaky comic figure sporting a ludicrous wig and fake teeth, who begins meddling with Ines’s life at the least suitable moments. Following the drama Everyone Else, a disillusioning study of a relationship between a man and a woman, the German director Maren Ade has come up with a poignant, multilayered tragicomedy about rapprochement between father and daughter, about singles and the stark differences between the generations, pointing out the importance of humour in life.

The ageing schoolteacher Winfried Conradi occasionally brightens up his humdrum life by baffling those around him with his zany humour, being particularly fond of wearing funny disguises. Following the death of his only faithful friend, a blind dog, he decides to focus entirely on his estranged daughter Ines, a workaholic pursuing a career in a multinational company who has no time for anything else. In the wake of his failing to cheer her up in Bucharest, Winfried changes his strategy, convinced that he will succeed in attaining his objective through his alter ego. Thus emerges the German ambassador “Toni Erdmann”, a freaky comic figure sporting a ludicrous wig and fake teeth, who begins meddling with Ines’s life at the least suitable moments. Following the drama Everyone Else, a disillusioning study of a relationship between a man and a woman, the German director Maren Ade has come up with a poignant, multilayered tragicomedy about rapprochement between father and daughter, about singles and the stark differences between the generations, pointing out the importance of humour in life.

The ageing schoolteacher Winfried Conradi occasionally brightens up his humdrum life by baffling those around him with his zany humour, being particularly fond of wearing funny disguises. Following the death of his only faithful friend, a blind dog, he decides to focus entirely on his estranged daughter Ines, a workaholic pursuing a career in a multinational company who has no time for anything else. In the wake of his failing to cheer her up in Bucharest, Winfried changes his strategy, convinced that he will succeed in attaining his objective through his alter ego. Thus emerges the German ambassador “Toni Erdmann”, a freaky comic figure sporting a ludicrous wig and fake teeth, who begins meddling with Ines’s life at the least suitable moments. Following the drama Everyone Else, a disillusioning study of a relationship between a man and a woman, the German director Maren Ade has come up with a poignant, multilayered tragicomedy about rapprochement between father and daughter, about singles and the stark differences between the generations, pointing out the importance of humour in life.

Camargue, France - Infamous for its traditional bull race, an exhilarating and graceful challenge of agility and respect between man and beast. Surrounded by men, 22-year-old Nejma trains hard to fulfill her dream of winning the upcoming annual competition, but news of a rogue and violent bull on the loose terrifies the community. Young men are being murdered everywhere, and the beast is nowhere to be seen. In Animale, Emma Benestan explores the journey of a young woman determined to become a bullfighter. This raw French drama powerfully contrasts female strength with traditional masculinity. Set against the backdrop of the bull-running tradition in the south of France, the film reveals the intense struggle between personal ambition and entrenched gender roles.Camargue, France - Infamous for its traditional bull race, an exhilarating and graceful challenge of agility and respect between man and beast. Surrounded by men, 22-year-old Nejma trains hard to fulfill her dream of winning the upcoming annual competition, but news of a rogue and violent bull on the loose terrifies the community. Young men are being murdered everywhere, and the beast is nowhere to be seen. In Animale, Emma Benestan explores the journey of a young woman determined to become a bullfighter. This raw French drama powerfully contrasts female strength with traditional masculinity. Set against the backdrop of the bull-running tradition in the south of France, the film reveals the intense struggle between personal ambition and entrenched gender roles.

East of the Sun and West of the Moon.

A grand, heart-warming and witty story based on one of Scandinavia’s most beloved folk tales. The Polar Bear Prince is a modern and magnificent animated feature film based on one of Norway's most beloved fairytales. It's a story of love, greed and courage, set in the beautiful Norwegian scenery and packed with suspense, humour and music.

The fearless, curious and adventurous girl, Liv dreams of leaving her home in the woods. When the polar bear Valemon offers her family a way out of poverty if she comes with him, she accepts. A compassionate friendship starts to form between the two, a friendship that could well turn into something deeper. For Valemon is not only a bear, but a prince who was once cursed by a witch. Fearless as she is, and with her charming animal friends by her side, Liv sets out on a journey to confront the dangerous witch and save Prince Valemon. It is a story of love, greed and courage, packed with suspense, humour, great music and breathtaking scenery.East of the Sun and West of the Moon.

A grand, heart-warming and witty story based on one of Scandinavia’s most beloved folk tales. The Polar Bear Prince is a modern and magnificent animated feature film based on one of Norway's most beloved fairytales. It's a story of love, greed and courage, set in the beautiful Norwegian scenery and packed with suspense, humour and music.

The fearless, curious and adventurous girl, Liv dreams of leaving her home in the woods. When the polar bear Valemon offers her family a way out of poverty if she comes with him, she accepts. A compassionate friendship starts to form between the two, a friendship that could well turn into something deeper. For Valemon is not only a bear, but a prince who was once cursed by a witch. Fearless as she is, and with her charming animal friends by her side, Liv sets out on a journey to confront the dangerous witch and save Prince Valemon. It is a story of love, greed and courage, packed with suspense, humour, great music and breathtaking scenery.East of the Sun and West of the Moon.

A grand, heart-warming and witty story based on one of Scandinavia’s most beloved folk tales. The Polar Bear Prince is a modern and magnificent animated feature film based on one of Norway's most beloved fairytales. It's a story of love, greed and courage, set in the beautiful Norwegian scenery and packed with suspense, humour and music.

The fearless, curious and adventurous girl, Liv dreams of leaving her home in the woods. When the polar bear Valemon offers her family a way out of poverty if she comes with him, she accepts. A compassionate friendship starts to form between the two, a friendship that could well turn into something deeper. For Valemon is not only a bear, but a prince who was once cursed by a witch. Fearless as she is, and with her charming animal friends by her side, Liv sets out on a journey to confront the dangerous witch and save Prince Valemon. It is a story of love, greed and courage, packed with suspense, humour, great music and breathtaking scenery.East of the Sun and West of the Moon.

A grand, heart-warming and witty story based on one of Scandinavia’s most beloved folk tales. The Polar Bear Prince is a modern and magnificent animated feature film based on one of Norway's most beloved fairytales. It's a story of love, greed and courage, set in the beautiful Norwegian scenery and packed with suspense, humour and music.

The fearless, curious and adventurous girl, Liv dreams of leaving her home in the woods. When the polar bear Valemon offers her family a way out of poverty if she comes with him, she accepts. A compassionate friendship starts to form between the two, a friendship that could well turn into something deeper. For Valemon is not only a bear, but a prince who was once cursed by a witch. Fearless as she is, and with her charming animal friends by her side, Liv sets out on a journey to confront the dangerous witch and save Prince Valemon. It is a story of love, greed and courage, packed with suspense, humour, great music and breathtaking scenery.

A tender portrayal of four stubborn brothers becomes a touching contemporary Swedish family chronicle about dreams, class, heritage, and how difficult it can be to connect with each other. Sibling relationships are the longest-lasting in life but often not the most cherished. The Andersson brothers grew up in a working-class home in Gothenburg. Roy became an internationally acclaimed filmmaker while Ronny ended up as a homeless man. Kjell became a documentary filmmaker, and Leif lives as a disability pensioner. Johanna Bernhardson makes her feature film debut with a story about how life can turn out so differently despite seemingly similar circumstances. Through the portrayal of her father Leif and her uncles - with alcohol as a common thread - she also tells a tale of inheritance that stretches generations backward (and forward) in time. At the same time, she tries to get the brothers to stop sulking and reunite - before it's too late.A tender portrayal of four stubborn brothers becomes a touching contemporary Swedish family chronicle about dreams, class, heritage, and how difficult it can be to connect with each other. Sibling relationships are the longest-lasting in life but often not the most cherished. The Andersson brothers grew up in a working-class home in Gothenburg. Roy became an internationally acclaimed filmmaker while Ronny ended up as a homeless man. Kjell became a documentary filmmaker, and Leif lives as a disability pensioner. Johanna Bernhardson makes her feature film debut with a story about how life can turn out so differently despite seemingly similar circumstances. Through the portrayal of her father Leif and her uncles - with alcohol as a common thread - she also tells a tale of inheritance that stretches generations backward (and forward) in time. At the same time, she tries to get the brothers to stop sulking and reunite - before it's too late.A tender portrayal of four stubborn brothers becomes a touching contemporary Swedish family chronicle about dreams, class, heritage, and how difficult it can be to connect with each other. Sibling relationships are the longest-lasting in life but often not the most cherished. The Andersson brothers grew up in a working-class home in Gothenburg. Roy became an internationally acclaimed filmmaker while Ronny ended up as a homeless man. Kjell became a documentary filmmaker, and Leif lives as a disability pensioner. Johanna Bernhardson makes her feature film debut with a story about how life can turn out so differently despite seemingly similar circumstances. Through the portrayal of her father Leif and her uncles - with alcohol as a common thread - she also tells a tale of inheritance that stretches generations backward (and forward) in time. At the same time, she tries to get the brothers to stop sulking and reunite - before it's too late.A tender portrayal of four stubborn brothers becomes a touching contemporary Swedish family chronicle about dreams, class, heritage, and how difficult it can be to connect with each other. Sibling relationships are the longest-lasting in life but often not the most cherished. The Andersson brothers grew up in a working-class home in Gothenburg. Roy became an internationally acclaimed filmmaker while Ronny ended up as a homeless man. Kjell became a documentary filmmaker, and Leif lives as a disability pensioner. Johanna Bernhardson makes her feature film debut with a story about how life can turn out so differently despite seemingly similar circumstances. Through the portrayal of her father Leif and her uncles - with alcohol as a common thread - she also tells a tale of inheritance that stretches generations backward (and forward) in time. At the same time, she tries to get the brothers to stop sulking and reunite - before it's too late.A tender portrayal of four stubborn brothers becomes a touching contemporary Swedish family chronicle about dreams, class, heritage, and how difficult it can be to connect with each other. Sibling relationships are the longest-lasting in life but often not the most cherished. The Andersson brothers grew up in a working-class home in Gothenburg. Roy became an internationally acclaimed filmmaker while Ronny ended up as a homeless man. Kjell became a documentary filmmaker, and Leif lives as a disability pensioner. Johanna Bernhardson makes her feature film debut with a story about how life can turn out so differently despite seemingly similar circumstances. Through the portrayal of her father Leif and her uncles - with alcohol as a common thread - she also tells a tale of inheritance that stretches generations backward (and forward) in time. At the same time, she tries to get the brothers to stop sulking and reunite - before it's too late.A tender portrayal of four stubborn brothers becomes a touching contemporary Swedish family chronicle about dreams, class, heritage, and how difficult it can be to connect with each other. Sibling relationships are the longest-lasting in life but often not the most cherished. The Andersson brothers grew up in a working-class home in Gothenburg. Roy became an internationally acclaimed filmmaker while Ronny ended up as a homeless man. Kjell became a documentary filmmaker, and Leif lives as a disability pensioner. Johanna Bernhardson makes her feature film debut with a story about how life can turn out so differently despite seemingly similar circumstances. Through the portrayal of her father Leif and her uncles - with alcohol as a common thread - she also tells a tale of inheritance that stretches generations backward (and forward) in time. At the same time, she tries to get the brothers to stop sulking and reunite - before it's too late.

Tereza, 77, has lived her whole life in a small industrialised town in the Amazon, until one day she receives an official government order to relocate to a senior housing colony. The colony is an isolated area where the elderly are brought to “enjoy” their final years, freeing the younger generation to focus fully on productivity and growth. Tereza refuses to accept this imposed fate. Instead, she embarks on a transformative journey through the rivers and tributaries of the Amazon to fulfil one last wish before her freedom is taken away – a decision that will change her destiny forever.Tereza, 77, has lived her whole life in a small industrialised town in the Amazon, until one day she receives an official government order to relocate to a senior housing colony. The colony is an isolated area where the elderly are brought to “enjoy” their final years, freeing the younger generation to focus fully on productivity and growth. Tereza refuses to accept this imposed fate. Instead, she embarks on a transformative journey through the rivers and tributaries of the Amazon to fulfil one last wish before her freedom is taken away – a decision that will change her destiny forever.Tereza, 77, has lived her whole life in a small industrialised town in the Amazon, until one day she receives an official government order to relocate to a senior housing colony. The colony is an isolated area where the elderly are brought to “enjoy” their final years, freeing the younger generation to focus fully on productivity and growth. Tereza refuses to accept this imposed fate. Instead, she embarks on a transformative journey through the rivers and tributaries of the Amazon to fulfil one last wish before her freedom is taken away – a decision that will change her destiny forever.Tereza, 77, has lived her whole life in a small industrialised town in the Amazon, until one day she receives an official government order to relocate to a senior housing colony. The colony is an isolated area where the elderly are brought to “enjoy” their final years, freeing the younger generation to focus fully on productivity and growth. Tereza refuses to accept this imposed fate. Instead, she embarks on a transformative journey through the rivers and tributaries of the Amazon to fulfil one last wish before her freedom is taken away – a decision that will change her destiny forever.Tereza, 77, has lived her whole life in a small industrialised town in the Amazon, until one day she receives an official government order to relocate to a senior housing colony. The colony is an isolated area where the elderly are brought to “enjoy” their final years, freeing the younger generation to focus fully on productivity and growth. Tereza refuses to accept this imposed fate. Instead, she embarks on a transformative journey through the rivers and tributaries of the Amazon to fulfil one last wish before her freedom is taken away – a decision that will change her destiny forever.